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Because of that, this show will be a lifeline for many. Young LGBTQ+ people now have a show with relatable and frankly adorable characters who face hardship, but who also have the possibility of happiness.
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But at least straight people do not lack affirming representation on their TV screens. Most of us do not skip into the sunset with the rugby jock, after all. Some straight people may also look enviously at this show: regardless of sexual or gender identity, adolescence for many is defined by boredom, tedium, rejection and sometimes trauma. This is why Heartstopper is so important. Queer people living and loving, finding acceptance and yes, confronting challenges like anybody else and seeking to overcome them, was what was lacking. In popular culture, you could either find one-dimensional desexualised caricatures, or stories of tragedy – the shadow of the HIV/Aids pandemic was inescapable. LGBTQ+ cultural representation was weak at this point, and that compounded my loneliness. I clung on to a passage from one of those “how to grow up” books which suggested that same-sex attraction was a temporary phase, that for many it would soon vanish. With that seeming – however inaccurately – to be unattainable, what remained? The constant terror of rejection, of falling for straights who could never reciprocate, of suppressing your real identity for an easier life or to protect yourself from violence? Life is a tough enough gig, and brutally I did not want the hassle. Heterosexuality offered a stable lifelong route map: find a life partner, marry, settle down, have children. As someone who didn’t come out until I was 20, what was so terrifying in adolescence was the sheer loneliness of the closet. The one exception I recall was a teacher warning against anal sex. I grew up in the age of section 28, which prohibited the so-called “promotion” of homosexuality in schools and in practice stifled all discussion of LGBTQ+ issues. Many queer older millennials have been dazzled by the show, but also felt a sense of grief and loss at what they never had: either acceptance from our straight peers, or affirming representation on our television screens. Representation is at its core, with lesbians and queer people of colour – including a young trans woman who has transferred to the girls’ school – as key protagonists. Written by the stunningly talented 27-year-old queer author Alice Oseman, it features a young geeky gay boy who falls for a rugby jock who, it transpires, is bisexual. It is squarely aimed at teenagers, which is one reason it is so pivotal. It’s important to stress that it was not made for a geriatric millennial like me. In a recent poll of more than four thousand UK adults, 57 percent of 18- to 24-year-olds admitted to body-image anxieties, though that number fell to 30 percent for 45- to 54-year-olds and 20 percent for those 55 and over.I found it impossible, then, not to be moved by Netflix’s new school drama Heartstopper, which should be considered one of the most important LGBTQ+ shows ever made. Meanwhile, Josh Bradlow, a spokesperson for the LGBTQ+ equality organization Stonewall, told the newspaper that “stereotypical assumptions and beliefs about masculinity and femininity can be deeply damaging for how anyone-especially LGBT people-see themselves and their bodies.”Īt least these insecurities seem to fall away with age.
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Speaking to The Guardian in 2019, a spokesperson for the Mental Health Foundation cited research suggesting that “higher body dissatisfaction is associated with poorer quality of life, psychological distress, and risk of unhealthy eating behaviors and eating disorders.” Who among us hasn’t looked in the mirror and wished something was different? But it might be good practice to start accepting the things we can’t change, so to speak, especially since poor body image can be detrimental to our mental health.